Aspetti genetici e strutturali delle Variazioni intorno all’ultima Mazurka di Chopin di Roman Vlad

Abstract

1964 Roman Vlad composed the Variazioni intorno all’ultima Mazurca di Chopin for piano. By focusing on the analysis of the sketches and the score, this article discusses Vlad’s non-conventional treatment of Chopin’s material and the theme and variations-form. Furthermore, Vlad ideated a series of radio broadcasts in which he pointed out the attention he devoted to the study of the theme with variations-form throughout the centuries.