Bianca Maria Antolini: Writings on Music History

edited by Leonardo Miucci and Giacomo Sciommeri
Lucca (LIM) – 2020
20 × 26 cm, XXXIV + 1038 pp., hardcover

Contents:

I. Music Publishing

  • Aspects of Music Publishing in Rome [1985]
  • Music Publishing and the Music Market [2005]
  • Music Publishing and the Dissemination of the Piano Repertoire: 1770–1830 [2009]
  • Publishers, Copyists, and the Music Trade in Italy: 1770–1800 [1989]
  • Music Publishers and Piano Pedagogy in the First Half of the Nineteenth Century [2018]
  • The Nineteenth-Century Periodical Press as a Source for Musicological Research: the «Répertoire International de la Presse Musicale» [1991]
  • The Dissemination of Clementi’s Music in European Music Publishing [2006]
  • Nineteenth-Century Italian Music Publishers and ‘Classical’ Music Concerts: Some Cases [2003]
  • Music Publishing in Italy in Puccini’s Time [1997]

    II. Musical Theatre

  • The Career of the Singer and Composer Loreto Vittori [1978]
  • Music Theory and Practice in the Writings of Abbé Morellet [1991]
  • Italian Opera in France: Around the Essai sur l’union de la poésie et de la musique by François-Jean de Chastellux (1765) [1993]
  • Music and Musical Theatre in Rome during the Years of French Rule (1809–1814) [2003]
  • Apostolo Zeno’s Ifigenia in Aulide [2000]
  • Domenico Cimarosa in Nineteenth-Century Italy: Survival or a Drive for Novelty? [2007]
  • Venetian Theatrical Chronicles: 1842–1849 [1991]
  • Opera Houses in Milan: 1881–1897 [1999]
  • The Production System of Musical Theatre in Early Twentieth-Century Italy (with Chiara Pelliccia) [2014]

    III. Aspects of Nineteenth-Century Music

  • Fortunato Santini: Collecting and Performances of Early Music in Rome in the First Half of the Nineteenth Century [2009]
  • Fortunato Santini and the Performance of Ancient Music in Italy in the First Half of the 19th Century [2013]
  • The Collaboration between Piave and Pacini in the Letters of the National Library of Rome [2003]
  • A German Musician in Nineteenth-Century Rome: Ludwig Landsberg [2005]
  • Italian Pianists in the Mid-Nineteenth Century [1992]
  • A Visit to Rossini, the First Performance of the Petite messe solennelle, and Other Unpublished Musical News from the Letters of Camillo Capranica [2010]
  • Brothers and Sisters: the Mendelssohns [2016]
  • Liszt and Dante: the Union of the Arts in the Symphony [2014]
  • Music in Laura Minghetti’s Roman Salon [2011]
  • Giovanni Sgambati in the Roman Salons [2018]
  • A Life for Music: Jessie Taylor Laussot Hillebrand [2016]
  • Late Nineteenth-Century Rome: A Capital for Music [2007]
  • Alice Barbi: a Concert Singer in Europe between the Nineteenth and Twentieth Centuries [2008]

    IV. Music Research, Events, and Institutions

  • Singers and Men of Letters in Rome in the First Half of the Seventeenth Century: Some Observations [1988]
  • Musical Life in Rome in the Second Half of the Eighteenth Century: New Findings and Research Perspectives [2011]
  • Theatre and Music in Nineteenth-Century Rome through Family Archives [1994]
  • Research on Musical Sources in Italy: Some Observations [2010]
  • ‘Early Music’ in Italian Conservatories in the Second Half of the Nineteenth Century [2012]
  • Music in the Salon in Italy between the Nineteenth and Twentieth Centuries [2011]
  • The 1911 Music Exhibition [2012]
  • Music at the International Exhibitions of Rome and Turin in 1911 [2014]
  • Musicology in Italy in the First Fifteen Years of the Twentieth Century: Congresses, Associations, Editions, and Concerts [2009]

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